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Andy’s Full Length Plays
Life Don’t Give You No Do Overs
A family is in a hospital waiting room in conflict over whether or not to
donate their fatally injured, 17 year old’s organs to be transplanted.
The three daughters of Lucy Apple (who suffers from Alzheimer’s) meet
at the family home regarding caring for their mother.
A devilishly funny farce that takes place in a waiting area just outside
the door leading to heaven involving a nun, prostitute, a Jewish grandmother, oh, and there’s Freddie, a gay bathhouse performer.
Priests attempt to form an organization to protect themselves against an unscrupulous bishop. The bishop deals with this dissension within the ranks.
Spinster sisters Yola and Elvira live in a senior citizen apartment complex. The seniors are being bilked by the complex’s maintenance man. Elvira decides to
“off” this crook.
4 Actors, 4 Short Plays, 4 Chairs, 2 Acts
(1)A cause oriented couple is upset when their son tells them that he is straight. What choice do they have but to leave
the gay parents support group, one of their favorite causes.
(2)Unemployed men decide to form a costumed floral delivery service. They hire a tipsy, daffy woman to handle their bookings leading to embarrassing deliveries.
(3)Missing identity where a physicist is thought to be a hit man and the hit man
is thought to be a physicist.
(4)Four people are on a ride into the hereafter: a married couple and two guys. All are different,
all are opinionated.
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Monthly Archives: February 2012
I Was Bitten By The “Theater Bug” At The Hartford Stage Company
There has never been a time in my life when I was not in love with theater. While attending East Hartford High School in East Hartford, Connecticut (now it’s a middle school), Mrs. Wilson who headed our drama department asked … Continue reading
Moby Dick Harpooned Broadway.
At some stage in our education, who does not recall reading Herman Melville’s 1851 whale tale, Moby Dick? It was a book packed full of metaphors, packed full of symbolism, packed full of long soliloquies. And packed full of potential … Continue reading
Research. Yuk.
I find research to be both essential and boring. (Never having been a fan of minutia you can understand why I say it’s boring for me.) Research is helpful in two ways. First, I research elements of my plot to … Continue reading
Playwright’s Dream: To Be A Director
Let me unequivocally say, I do not want to be a director. I never wanted to be a director. And, I will never be a director. There are some playwrights that I feel are frustrated director-wannabees. They give the most … Continue reading
Too Edgy Or Not Too Edgy? That Is The Question.
Last summer I spoke to a literary manager at a repertory theater company. He had read two of my plays and determined that although he liked them, they were too edgy for his audience. He added that they ended with … Continue reading
Under The N, 39. N – 39.
Sometimes you can drive yourself nuts trying to come up with a solution to a nagging problem. It churns over and churns over in your head to the point where you realize that you are never going to come up … Continue reading
Theater Is Alive And Well In Warren, Rhode Island
Every morning my wife and I hit the local Planet Fitness gym (Warwick, RI) at 6AM. And, every morning we see this friendly PF staffer (friendly, at 6AM?…yup), Jona Cedeno. About a month ago, he looked completely exhausted. Ordinarily I’d … Continue reading
How Do You Handle Rejection?
If you cannot handle rejection, writing is the wrong business to be in. Most decisions over our future are being made by people and are therefore highly subjective. The value of our project, for example in writing a play, is … Continue reading
Warning: Kids Are Hazardous To A Writer
You want to write. Don’t have kids (and don’t get married). Especially now with cell phones, texting, emailing…trust me, they’ll find you. Let me give you an example from my not to0 recent past (yesterday). I sat down at my … Continue reading
Playwright’s Circle of Life
You need a successful (money making) play to attract an agent. You need an agent, in most cases, to attract a theater to consider your play for production hopefully leading to a successful run. Oi. First, let’s look at how … Continue reading




